It was a long time
coming, but at 10.15pm on Sunday 16th July, Pennywise came back
to Melbourne. The venue was the Palace in St.Kilda with many people
from afar making the trip down to see the punk stalwarts. The build
up in the crowd was huge, so much so that no-one gave a shit about
the support act, with the chant of penny-wise, penny-wise starting
early in the Goons of Doom’s set.

The lights dimmed and the
piano intro to Unknown Road to the cheers of the crowd and away
we went, launching into a song that has just as much impact now
as it did in 93. I was right up on the barrier for the start of
the set, getting absolutely hammered by the crowd, but when your
favourite band are up there you really don’t
care. Moving into songs from some more recent albums, which have
been as widely accepted by the long time fans, still had the crowd
going. They could’ve sat around playing kumbayah and the
crowd would still love it. After getting some of the newer songs
out of the way, and being as tight on stage as ever, it was time
to pull out some classics. Every Single Day & Time To Burn
were played to the fans happiness, and I’m sure there were
some kids out there who had no idea what the song was. One thing
I did notice about the crowd was that it was predominately older
with no faggy emo kids in sight. Maybe punk isn’t dead after
all.
8 songs into the set lead singer Jim
Lindberg mentioned how many Pennywise tattoo’s there were in the crowd and I knew this
was my time to act. Calling out to bass player Randy Bradbury to
look at my tat, he instantly recognised me as we had exchanged
emails of photos of my tat that I got done by The Deuce out at
Eternal Instinct late last year. I yelled out if I could come up
onto stage which he said sure. Well you don’t have to tell
me twice and before you know it I’m up onstage in front
of 1,000 people with my idols playing. Could this get any better??

After
seeing the first half of their set from in front of the stage I
now had the chance to see it from the stage and what a perspective
that is. The whole crowd was singing along to the songs as was
I from the back of the stage. As the set drew to a close they went
off to start an encore, something I haven’t seen
Pennywise do before. Coming out to a crowd favourite, Men At Work’s
Down Under, then closing with the customary Bro Hymn which gets
the whole crowd involved to the point were people just storm the
stage and the bouncers can do nothing about it. This went on for
a good 15-20 minutes as the support act ended up getting on the
drums – probably his only chance at getting the crowd involved
in his music.
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The set was a
good 50-60 minutes which when considering that most songs average
3 minutes, was quiet good. The best part was to follow for me, getting backstage.
I finally had my chance to meet the guys, who as to be expected were completely
chilled out and down to earth. Talking with the mammoth Fletcher Dragge about
radio shows, and their tight tour schedule to Jim's upcoming book Punk Rock
Dad they just seemed like regular guys which is often forgotten that
they are. The night ended with Fletcher wanting to go to the casino for some
Poker. I thought I’d already had the perfect hand that night and decided
to quit while I’m ahead. For a band that has now been going for 18
years they show no signs of slowing down, if anything they are getting better
with age. The new songs have found a new drive on the latest album ‘The
Fuse’ after many people had written them off and they are bringing
back some old classics that many people may not have heard them play live
before.

All I know is that I’ve now started my last ever show fund just in case
that fateful day comes I can jump on a plane
for one last hurrah for the greatest
band of all time.
To find out more about Pennywise,
or to get in contact with them, please note the details
below. Alternatively, send an email to us via helpme@melbournepixel.com and
we'll help you with your enquiry.
Pennywise
www.pennywisdom.com
The Palace
Lower Esplanade, St Kilda
Melbourne, Australia
www.palace.com.au
Review by: Rob Tennant |
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