It was a long time coming,
but at 10.15pm on Sunday 16th July, Pennywise came back to Melbourne.
The venue was the Palace in St.Kilda with many people from afar making
the trip down to see the punk stalwarts. The build up in the crowd was
huge, so much so that no-one gave a shit about the support act, with
the chant of penny-wise, penny-wise starting early in the Goons of Doom’s
set.

The lights dimmed and the piano intro to Unknown Road to the cheers of
the crowd and away we went, launching into a song that has just as much
impact now as it did in 93. I was right up on the barrier for the start
of the set, getting absolutely hammered by the crowd, but when your favourite
band are up there you really don’t care. Moving into songs from some
more recent albums, which have been as widely accepted by the long time
fans, still had the crowd going. They could’ve sat around playing
kumbayah and the crowd would still love it. After getting some of the newer
songs out of the way, and being as tight on stage as ever, it was time
to pull out some classics. Every Single Day & Time To Burn were played
to the fans happiness, and I’m sure there were some kids out there
who had no idea what the song was. One thing I did notice about the crowd
was that it was predominately older with no faggy emo kids in sight. Maybe
punk isn’t dead after all.
8 songs into the set lead singer Jim Lindberg mentioned how many Pennywise
tattoo’s there were in the crowd and I knew this was my time to act.
Calling out to bass player Randy Bradbury to look at my tat, he instantly
recognised me as we had exchanged emails of photos of my tat that I got
done by The Deuce out at Eternal Instinct late last year. I yelled out
if I could come up onto stage which he said sure. Well you don’t
have to tell me twice and before you know it I’m up onstage
in front of 1,000 people with my idols playing. Could this get any better??

After seeing the first half of their set from in front of the stage I now
had the chance to see it from the stage and what a perspective that is.
The whole crowd was singing along to the songs as was I from the back of
the stage. As the set drew to a close they went off to start an encore,
something I haven’t seen Pennywise do before. Coming out to a crowd
favourite, Men At Work’s Down Under, then closing with the customary
Bro Hymn which gets the whole crowd involved to the point were people just
storm the stage and the bouncers can do nothing about it. This went on
for a good 15-20 minutes as the support act ended up getting on the drums – probably
his only chance at getting the crowd involved in his music.
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The set was a good 50-60 minutes which when considering that most songs
average 3 minutes, was quiet good. The best part was to follow for me,
getting backstage. I finally had my chance to meet the guys, who as to
be expected were completely chilled out and down to earth. Talking with
the mammoth Fletcher Dragge about radio shows, and their tight tour schedule
to Jim's upcoming book Punk Rock Dad they just seemed like regular guys which
is often forgotten that they are. The night ended with Fletcher wanting
to go to the casino for some Poker. I thought I’d already had the
perfect hand that night and decided to quit while I’m ahead. For
a band that has now been going for 18 years they show no signs of slowing
down, if anything they are getting better with age. The new songs have
found a new drive on the latest album ‘The Fuse’ after many
people had written them off and they are bringing back some old classics
that many people may not have heard them play live before.

All I know is that I’ve now started my last ever show fund just in
case that fateful day comes I can jump on a plane for one last hurrah
for the greatest band of all time.
To find out more about Pennywise, or to
get in contact with them, please note the details below. Alternatively,
send an email to us via helpme@melbournepixel.com and
we'll help you with your enquiry.
Pennywise
www.pennywisdom.com
The Palace
Lower Esplanade, St Kilda
Melbourne, Australia
www.palace.com.au
Review by: Rob Tennant |
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