10 probing questions
for Al Oldfield, aspiring animator and man of many parts.

At what
age did you first think that you might be able to make a career
out of animation?
Make a career? Still waiting for that day, but
got the bug during a year 10 media assignment where we had a
go at some simple animation (so that’d make me about 15)
What steps have you taken so far towards achieving that
goal?
Basically you become a sponge, same with anything you enjoy
really. Just
try an absorb as much information as you can about every little aspect. Talk
to lots of people who know more than you and just build up your knowledge base
till one day people are asking you how to do things.
Where would you like your animation career to lead?
I guess the dream job in the industry for me would be to
work at Aardman Animation in Bristol, they’re at the top of the field these days. But
to be honest as long as someone is paying me to sit in a dark room and play
with plasticine, I’m pretty content with that.

Animation demands incredible patience and persistence, do you find
it difficult to devote so much time and effort to produce a few
seconds of animated film?
Sometimes, I think I’m just used to knowing how long it takes. It’s
like going on a long flight, there’s nothing you can do to make the
plain go faster so that’s the way it is and you get there when you get
there. It
gets frustrating when you’re in the middle of a really good shot and
you bump the camera or the puppet falls over. Then you have to start
again, when all you want to do is squish the puppet against the wall!
You are a renowned renaissance man, noted for your devotion to
a wide range of interests, including knitting, movies, cartoons,
swing-dancing, foosball, field-hockey and karaoke. Is it hard to
find time to concentrate on your animation?
(Gold!) It’s all a fine balancing act! I guess I
like keeping busy because I have to spend large amounts of time on my own with
the puppets. Think of it as a release to the patient, quiet time. Of
course, nobody sees that bit, just the knitting, karaoke etc. But I really
can be nice and quiet!
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What is your preferred medium of animation to work in,
stop-motion, 2D or 3D computer-generated stuff?
Stop-motion, hands down. There’s a brilliant organic look to it that
just can’t be duplicated in any other medium. I had a crack at 3D
back at uni. It was just too mathematical, all values and sin curves and
key frames, ooooh...makes me shudder just thinking about it! And I just
can’t
draw well enough for 2D.
You are still a relatively young man and yet you sported a full beard
for many years. At what age did you first grow a full beard and why did you
recently decide to shave it off in favour of the lamb-chop sideburns?
I’ve had the burns since the start of yr 12, then I just got lazy and stopped
shaving. That was until November last year… you had to start clean
shaven for Mo-vember so I took the plunge and haven’t looked back since!

Is there a lot of animation going on in Australia that you admire?
Sure, Adam Elliot is obviously doing great things and so is Anthony Lucas but
there are a large percentage of stop-motion ads on telly at the moment, most
coming out of Anifex in Adelaide. The Cadbury ad's come out of a small studio
in Richmond and Sydney’s got some great studio’s as well. With
the features that came out last year, there really is a rebirth to the medium
and people are really getting behind it.
Is there a risk of being perceived as a geek or a dork (or at the very
least an emotionally stunted man-child) if you are a professional animator?
Not really, you meet a lot of people with the usual, “Hi I’m Al,
what do you do?” and you get the, “working at some firm, doing something
or rather” or “just earning some money at a shitty job till this
and this happens” and they’re not all that inspired by what they’re
telling you. Then I step up and say “I get paid to play all day”.
There’s something so fulfilling about not thinking of it as work. Having
late nights not because something is due the next day, but because you can’t
drag yourself away from it till you get this shot absolutely right or your puppets
looks perfect. Doesn’t sound so nerdy now does it…?

Have you seen any animation recently that inspires you?
Corpse Bride, The latest film by Tim Burton blew me away, because the animation
was just gorgeous. The new King Kong was also stunning, to get so much
character into him was a real turning point in digital animation and we’re
going to see some pretty amazing stuff in the near future.
To find out more about Al, or to
get in contact with him, please note the details below. Alternatively,
send an email to us via helpme@melbournepixel.com and
we'll help you with your enquiry.
Al Oldfield
Melbourne, Victoria
truffle_hunter@hotmail.com
Interview by: Shona Whittington |
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