WHITE, DRY, CLEAN AND FRESH

Tell us a little bit about your self...

Born/studied/lived in Hobart, Tasmania, Australia. Live for design/surf/friendship and beer.

When was your first introduction to design?

I first became aware of graphic design through my father I guess. He is a draftsman and always had an amazing array of Rotoring pens and other drafting equipment. I started playing around with type stencils and old Letraset to create books and interesting compositions - raw, expressive typographic experiments. After years of doing that I was hooked and knew design was my ideal life pursuit.

Have you had any formal training or are you self taught?

I have completed a design degree, but I believe that all designers are all self-taught in many ways. In my degree we were prodded and prompted to steer our own destiny really - looking back on being a student our futures where always going to be what we engineered. I believe no amount of study can prepare you for a life in design.





How did you go about setting out and working for yourself?

After working for a few studios over the years I came to realise that I worked better on my own. It wasn’t that I didn’t enjoy the studio environment – I loved it. It was more that I wanted to have a sense of ownership on the projects I worked on, and the ability to see a job through without it being thrashed around by several designers before it was completed. So I parted with my full-time position and set my sails as a solo-operator. I have some great friends in the design community so when I need some advice or guidance with a project I shoot them an email and we tear holes in the design to give me some feedback and direction.

What has been your biggest struggle(s)/challenge(s) with your creative career?

Staying motivated in tough times. Sometimes it’s hard to stay focused on design and your business when some parts of the world can’t even eat regularly or don’t have a roof to sleep under. I guess it’s this constant weighing up of what is important in life that I struggle with from time to time as a designer and a consumer.

What/who are your major influences in design?

So many influences – wow. The water (surf) is a major inspiration to me – it’s something that I have been involved with all my life and I draw inspiration and momentum from it constantly. I also had the amazing opportunity to work for ATTIK in the UK for a few months a couple of years ago. The friendships I made there and the perspective it forged for me was unbelievable. In many ways ATTIK modeled my design style and direction and really made me focus on getting a strong concept in my work. Along with that I look to the work of Bibliotheque, Grant Dickson, Trevor Jackson, Jeffrey Docherty, Michael C Place and the late Josef Muller Brockmann.




What is your favorite part of the design process?

Most definitely the concept stage — especially when working in collaboration with other designers or studios. It’s a fantastic feeling to talk an idea through until you can see it in your mind, then to go and work quickly through it until your eyes hurt — print>pin up>talk>decide>sleep>repeat!

How do you feel your environment (Melbourne and Australia) influences your work?

Australia to me has such a strong design/artisitc culture which seems to be growing stronger each day. Along with this our country has so much rich history and character behind it and I think this distinct flavour shows through in our design. I would say Australian designers are a little more humourous and light-hearted, definitely more so than some larger countries, and I guess I can say this is in my work at times.







Do you have to do a lot of self-promotion to keep the work rolling in?


As Forcetwelve is still quite young I do try to put together some self-initiated projects to keep a personal touch to my folio. I have always thought that its so important to do work totally unrelated to client work in the interests of your own creative motivation. However I don’t push this as a marketing tool at all. I try to just gain work through reputation and by cold-calling clients that I’d like to work for.

Who or what you would say inspires your work the most?

Ocean and sky, people and sound.

How do you keep yourself motivated and interested?

I always stop working when I am too tired or start to get frustrated with a project. I’ll just go and surf or have a laugh and a beer and hit it hard again when I feel motivated again. That way I never feel like I’m dragging my feet and not enjoying my work.

Describe your working environment:

White, dry, clean and fresh. Music before breakfast!

What is the most rewarding aspect of your chosen career path? The most frustrating?

The most rewarding would be the experience of changing someone's way of looking at the world through design. The most frustrating would be the feeling that nothing you do is ever perfect or finished.





Who would be your dream client?

A large contemporary gallery that required a new identity and ongoing large format promotional work.

Do you have any new projects coming up that you can tell us about?

A corporate identity for a superb local restaurant and a website for a mad, edge-clinging fashion label from Melbourne.

What plans do you have for your design the future?

To grow to a stage where I can work hard and then take off 4 days to relax. I would like to stay small and as a solo-operator so things stay nice and friendly.

Words of advice for those pursuing their creative goals.

Immerse yourself in design. Let it consume you and drive you mad. Take notes of a conversation on a tram and what colour the sky is through your $2 servo sunglasses. Imagine you are someone else, make a poster of what you dreamt the night before. Enjoy it while you can!




To see more of Adam's work, or to get in contact with him, please note the details below. Alternatively, send an email to us via helpme@melbournepixel.com and we'll help you with your enquiry.


Adam Gibson

Force Twelve

Melbourne, Victoria
www.forcetwelve.net
talk@forcetwelve.net



Interview by:

Shona Whittington
Melbourne, Victoria

























































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