Kris
Baum is one of those photographers that makes people look at their
work and say ‘Damn, I wish I could do that.’ Baum takes
a range of subjects and captures them perfectly- from people to
structures, from events to artistic shots. If
only drinking copious amounts of alcohol worked so well for everybody,
because that’s
how he got into photography.

‘I moved to London and drank beer every night of the week, that’s
not mentioning what weekends were like.. My liver got sick of this so I decided
to educate myself a couple of nights a week instead, then drink beer with my
new school mates when class was finished
In saying that though, my interest was backpacking through Europe 6 years ago
and having my brother’s SLR armed with very basic photography skills I
learnt in high school. I traveled solo so my camera got a lot of use. I sent
my photos to a few friends scanned and they thought some pro took them. This
stroked my ego.’
From boozy nights in London however, his style has evolved.
‘My photos used to be a lot busier and not so refined or composed in a
way that really communicated the relationship with the subject, now my style
(which is beginning to be a lot more people & location based) is looking
a lot more cleaner. All the way though, with the exception of a few thousand
b&w negs, I’ve always loved using colour to the extreme.

I love oversaturating
or colour toning an image. As soon as I got Photoshop I started doing this.’
As Baum’s style has developed, so
too has his career as a working photographer.
'It’s been a great ride so far – I had huge issues
breaking into photography – you know, the usual self doubt
and fault-finding that a lot of ‘artist’ types get.
Add to that the misconceptions that photography is an art, therefore
it’s hard to make money
from, therefore I am destined to be a struggling artist begging
parents, family and friends for the rest of my life and being confined
to a smelly studio somewhere in the inner west.'
'So one day I just went for it at one point while getting bored
in my former career in London, where I lived for four years. London
taught me to just jump and see what happens. I guess being highly
commended by the Guardian – Observer photography competition
made me think ‘well, I might not think I can be a photographer
but others can’. Strange as it sounds, but if others like
my work I figured I must be able to sell some of it - somewhere. '
'I resigned from my I.T. career and enrolled in a very hardcore
photography course for 3 months. That was at the end of 2004. It
was 10am to 10pm and we did nothing but shoot on medium format,
learning from industry experts and all of us became super proficient
in lighting a studio. I learnt so much from this course, although
it was tough, above all I learnt the importance of a portfolio
and the basics behind getting clients. We had regular portfolio
discussions, and by the end of the course I was armed for the real
world.'

'Originally my business tried doing too many genres. Fashion, advertising,
editorial, news, events, social, weddings, portraits, locations… wow
that’s funny now I spell it out! Now my slogan is ‘spaces,
faces, fashion’. Most of my clients are big event companies.
Companies like David Grant Special Events – who are one of
Australia’s leading event companies. Other clients are more
commercial such as graphic designers or fashion labels.’
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While Baum’s
fortunes were changing, the industry was too. The giant shift in
the last few years has been the move from film stock to digital. As
far as Baum sees it, digital photography is one of the best inventions since
sliced bread.
‘Yes it has made life a lot easier and stress free! I can’t see why
anyone would want to use film anymore. No more dark room, chemicals, scratches,
dust, scanning and processing fees, waiting in nervous anticipation…The
only thing I would say is I miss the hands on feeling & the nervous anticipation
of seeing your images as negs or on a lightbox.’
Writers have
their favourite typewriters, musicians have their favourite guitars,
and Baum is no exception to the rule. His weapon of choice
is the Canon 1DS Mark II.
‘This camera seriously kicks arse. I can use it at an event, or produce
advertising quality fashion photography in studio. The image quality is better
than medium format film. Try carrying a Hassleblad to a live event to ‘capture
the moment’ while swaying left and right like a drunken sailor (since your
image is reversed) then pulling out a light meter just when a performance comes
on stage.’

Of course, there is more to a great photo than the camera you use,
and Baum know what he likes, and what he looks for in a great photo.
‘Above all, originality. New ideas, concepts, photographing a common subject
in a fresh way. I don’t believe the whole ‘its all been done before’ philosophy.
Sure, a lot has been done before but there is so much change and technology around
us now that everyone has the ability to create something unique.’
Baum has been in the game for a while now, putting his talents and experience
to work across a variety of fields. In that time, he’s learned
some important lessons.
‘I’ve learnt that stress and anxiety come when you are really pushing
your confidence boundaries to extremes, and that this is necessary to become
highly skilled. That to produce an excellent photograph, you have to almost stop
thinking and start feeling – its like switching off your logic and getting
purely creative.
I’ve also learnt that anybody can succeed in whatever they desire, if they
love what they do.’
Being a photographer can lead to strange dynamics with the object of the photo
- does Baum find that taking photos of a place or person removes him
from his subjects, or does it make him think more about them?

‘That’s a really good question! It depends on the style of photographs
required. For example, social photography & paparazzi can be quite superficial – running
from one location to the next grabbing shots from punters, you’re not exactly
getting to know them. You just play up to them to get that shot and it’s
all bullshit.
Other times, for example a beauty of fashion shoot you have to interact so much
with the model(s) I feel you end up with quite an intense working relationship
and you get to know them that way, different to how you would in real life. My
style of portraits means I get to know the person – that’s my style
though.
With locations or objects, I definitely feel more for something I’ve photographed.
You appreciate these things more. I feel closer to the world now that I am a
photographer.- I am now a part-time pagan!’
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