STOP THINKING, START FEELING

Kris Baum is one of those photographers that makes people look at their work and say ‘Damn, I wish I could do that.’ Baum takes a range of subjects and captures them perfectly- from people to structures, from events to artistic shots. If only drinking copious amounts of alcohol worked so well for everybody, because that’s how he got into photography.



‘I moved to London and drank beer every night of the week, that’s not mentioning what weekends were like.. My liver got sick of this so I decided to educate myself a couple of nights a week instead, then drink beer with my new school mates when class was finished

In saying that though, my interest was backpacking through Europe 6 years ago and having my brother’s SLR armed with very basic photography skills I learnt in high school. I traveled solo so my camera got a lot of use. I sent my photos to a few friends scanned and they thought some pro took them. This stroked my ego.’
           
From boozy nights in London however, his style has evolved.

‘My photos used to be a lot busier and not so refined or composed in a way that really communicated the relationship with the subject, now my style (which is beginning to be a lot more people & location based) is looking a lot more cleaner. All the way though, with the exception of a few thousand b&w negs, I’ve always loved using colour to the extreme.



I love oversaturating or colour toning an image. As soon as I got Photoshop I started doing this.’

As Baum’s style has developed, so too has his career as a working photographer.

'It’s been a great ride so far – I had huge issues breaking into photography – you know, the usual self doubt and fault-finding that a lot of ‘artist’ types get. Add to that the misconceptions that photography is an art, therefore it’s hard to make money from, therefore I am destined to be a struggling artist begging parents, family and friends for the rest of my life and being confined to a smelly studio somewhere in the inner west.'

'So one day I just went for it at one point while getting bored in my former career in London, where I lived for four years. London taught me to just jump and see what happens. I guess being highly commended by the Guardian – Observer photography competition made me think ‘well, I might not think I can be a photographer but others can’. Strange as it sounds, but if others like my work I figured I must be able to sell some of it  - somewhere. '

'I resigned from my I.T. career and enrolled in a very hardcore photography course for 3 months. That was at the end of 2004. It was 10am to 10pm and we did nothing but shoot on medium format, learning from industry experts and all of us became super proficient in lighting a studio. I learnt so much from this course, although it was tough, above all I learnt the importance of a portfolio and the basics behind getting clients. We had regular portfolio discussions, and by the end of the course I was armed for the real world.'



'Originally my business tried doing too many genres. Fashion, advertising, editorial, news, events, social, weddings, portraits, locations… wow that’s funny now I spell it out! Now my slogan is ‘spaces, faces, fashion’. Most of my clients are big event companies. Companies like David Grant Special Events – who are one of Australia’s leading event companies. Other clients are more commercial such as graphic designers or fashion labels.’



While Baum’s fortunes were changing, the industry was too. The giant shift in the last few years has been the move from film stock to digital. As far as Baum sees it, digital photography is one of the best inventions since sliced bread.

‘Yes it has made life a lot easier and stress free! I can’t see why anyone would want to use film anymore. No more dark room, chemicals, scratches, dust, scanning and processing fees, waiting in nervous anticipation…The only thing I would say is I miss the hands on feeling & the nervous anticipation of seeing your images as negs or on a lightbox.’

Writers have their favourite typewriters, musicians have their favourite guitars, and Baum is no exception to the rule. His weapon of choice is the Canon 1DS Mark II.

‘This camera seriously kicks arse. I can use it at an event, or produce advertising quality fashion photography in studio. The image quality is better than medium format film. Try carrying a Hassleblad to a live event to ‘capture the moment’ while swaying left and right like a drunken sailor (since your image is reversed) then pulling out a light meter just when a performance comes on stage.’



Of course, there is more to a great photo than the camera you use, and Baum know what he likes, and what he looks for in a great photo.

‘Above all, originality. New ideas, concepts, photographing a common subject in a fresh way. I don’t believe the whole ‘its all been done before’ philosophy. Sure, a lot has been done before but there is so much change and technology around us now that everyone has the ability to create something unique.’

Baum has been in the game for a while now, putting his talents and experience to work across a variety of fields. In that time, he’s learned some important lessons.

‘I’ve learnt that stress and anxiety come when you are really pushing your confidence boundaries to extremes, and that this is necessary to become highly skilled. That to produce an excellent photograph, you have to almost stop thinking and start feeling – its like switching off your logic and getting purely creative.
I’ve also learnt that anybody can succeed in whatever they desire, if they love what they do.’

Being a photographer can lead to strange dynamics with the object of the photo - does Baum find that taking photos of a place or person removes him from his subjects, or does it make him think more about them?



‘That’s a really good question! It depends on the style of photographs required. For example, social photography & paparazzi can be quite superficial – running from one location to the next grabbing shots from punters, you’re not exactly getting to know them. You just play up to them to get that shot and it’s all bullshit.

Other times, for example a beauty of fashion shoot you have to interact so much with the model(s) I feel you end up with quite an intense working relationship and you get to know them that way, different to how you would in real life. My style of portraits means I get to know the person – that’s my style though.

With locations or objects, I definitely feel more for something I’ve photographed. You appreciate these things more. I feel closer to the world now that I am a photographer.- I am now a part-time pagan!’


To find out more about Kris, or to get in contact with him, please note the details below. Alternatively, send an email to us via helpme@melbournepixel.com and we'll help you with your enquiry.


Kris Baum

Sydney, Australia
kris@krisbaum.com
www.krisbaum.com

Interview by:

Simon Smithson
Melbourne, Victoria
www.thedoubleagent.com
smithson.simon@gmail.com



































































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