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Kris Baum is one
of those photographers that makes people look at their work and say ‘Damn,
I wish I could do that.’ Baum takes a range of subjects and captures
them perfectly- from people to structures, from events to artistic
shots. If only drinking copious amounts of alcohol worked so
well for everybody, because that’s how he got into photography. As Baum’s style has developed,
so too has his career as a working photographer. |
While Baum’s
fortunes were changing, the industry was too. The giant shift in the
last few years has been the move from film stock to digital. As
far as Baum sees it, digital photography is one of the best inventions
since sliced bread. ‘Yes it has made life a lot easier and stress free! I can’t see why anyone would want to use film anymore. No more dark room, chemicals, scratches, dust, scanning and processing fees, waiting in nervous anticipation…The only thing I would say is I miss the hands on feeling & the nervous anticipation of seeing your images as negs or on a lightbox.’ Writers have their favourite typewriters, musicians have their favourite guitars, and Baum is no exception to the rule. His weapon of choice is the Canon 1DS Mark II. ‘This camera seriously kicks arse. I can use it at an event, or produce advertising quality fashion photography in studio. The image quality is better than medium format film. Try carrying a Hassleblad to a live event to ‘capture the moment’ while swaying left and right like a drunken sailor (since your image is reversed) then pulling out a light meter just when a performance comes on stage.’ ![]() Of course, there is more to a great photo than the camera you use, and Baum know what he likes, and what he looks for in a great photo. ‘Above all, originality. New ideas, concepts, photographing a common subject in a fresh way. I don’t believe the whole ‘its all been done before’ philosophy. Sure, a lot has been done before but there is so much change and technology around us now that everyone has the ability to create something unique.’ Baum has been in the game for a while now, putting his talents and experience to work across a variety of fields. In that time, he’s learned some important lessons. ‘I’ve learnt that stress and anxiety come when you are really pushing your confidence boundaries to extremes, and that this is necessary to become highly skilled. That to produce an excellent photograph, you have to almost stop thinking and start feeling – its like switching off your logic and getting purely creative. I’ve also learnt that anybody can succeed in whatever they desire, if they love what they do.’ Being a photographer can lead to strange dynamics with the object of the photo - does Baum find that taking photos of a place or person removes him from his subjects, or does it make him think more about them? ![]() ‘That’s a really good question! It depends on the style of photographs required. For example, social photography & paparazzi can be quite superficial – running from one location to the next grabbing shots from punters, you’re not exactly getting to know them. You just play up to them to get that shot and it’s all bullshit. Other times, for example a beauty of fashion shoot you have to interact so much with the model(s) I feel you end up with quite an intense working relationship and you get to know them that way, different to how you would in real life. My style of portraits means I get to know the person – that’s my style though. With locations or objects, I definitely feel more for something I’ve photographed. You appreciate these things more. I feel closer to the world now that I am a photographer.- I am now a part-time pagan!’
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